Uèle Lamore has always explored music's infinite possibilities. From an adolescence spent studying jazz, rock, and classical music to recent work experimenting with Al-generated sounds, the 27-year-old Franco-American artist has followed her curiosity, blending a disparate variety of styles and genres to emerge as one of contemporary music's most acclaimed composers, arrangers, producers, and conductors.

The guitar was her constant companion through seven years of music school in the US - it remains her favorite instrument - but a stint studying in Versailles introduced her to classical composition and conducting, deepening her musical knowledge. Jazz, in particular the work of Miles Davis, further piqued her interest in arranging and fueled a fascination with musical textures and the relationship between different instruments.

Experimentation with modular, electronic, and synthetic elements followed, as did composing and arranging within electro, new wave, rock, techno, minimal, and ambient. Since 2019, she has served as an associate conductor, orchestrator, and arranger for the London Contemporary Orchestra (LCO), and has collaborated with a number of highly acclaimed artists such as Alfa Mist, Max Cooper, Etienne Daho, Silly Boy Blue, Moor Mother, Drum & Lace, Yan Wagner, and Hugo Lx. 

Having worked on a variety of projects across various disciplines, including scoring soundtracks for films, ballets, and animations, a number of remixes, and several special orchestral works for festivals, Lamore has more recently began to write and record more personal, solo music. 2020 saw the release of Tracks, her debut EP. which was followed by Hegel's Shadow Return Of Glycon, her first release for new Sony Music Masterworks imprint XXIM Records and a collaborative effort between Lamore and the “Music and Artificial Intelligence team" at Sony Computer Science Laboratories (Sony CSL).